Mar Gimeno Lumbiarres

→  Work

____  Exhibitions

                OO (immersive experience)
                La Fotògrafa del Poble



____  Performance

               Calypso
               EgoINatura
               Family Tree ᛉ
               IAMAIR



____ Filmmaking 

               Filla del Foc   (TV Movie)
             QUATRE (Dàhlia Duran)
               Avant series (videoart)



____ Film Still

                    Plot Points  (Clara Pais & Daniel Fawcett)
                  In the Water

   


→ About 

Mar Gimeno Lumbiarres (1994) is a spanish-catalan multimedia artist, film director & experience designer based in Rotterdam (NL).

In recent years, she has specialized in XD and immersive narratives to create projects that attract diverse audiences, inviting them to research, reflect and trigger behavioural change through interactivity and storytelling. She has worked on projects for Mobile World Capital, NASA JPL and Boston Children's Hospital.

For-Mar, innovation involves staying connected to the roots. Heritage, anthropology, cognitive science, paganism and nature are always at the centre of her work.

As an artist, she delves in the world of performatic acts and visual installations, which she cross-processes using video, nature elements, her body, photography and sound. Her themes swing between nature, life-death, universal memory, witchcraft and esotericism. She finds beauty in the grotesque and holds that darkness is the essence of light.


→ Vimeo

Explore other film  works.


→ Contact

marglumbiarres(@)gmail.com
(+34) 638 461 409  @hamaremar
+ marglumbiarres.com (company)


3. Thomas Kuhn




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            From The Structure of Scientific Revolutions, 1962Yet one standard product of the scientific enterprise is missing. Normal science does not aim at novelties of fact or theory and, when successful, finds none. New and unsuspected phenomena are, however, repeatedly uncovered by scientific research, and radical new theories have again and again been invented by scientists.
        The practice of normal science depends on the ability, acquired from exemplars, to group objects and situations into similarity sets which are primitive in the sense that the grouping is done without an answer to the question, “Similar with respect to what?” One central aspect of any revolution is, then, that some of the similarity relations change. Objects that were grouped in the same set before are grouped in different ones afterward and vice versa. Think of the sun, moon, Mars, and earth before and after Copernicus; of free fall, pendular, and planetary motion before and after Galileo; or of salts, alloys, and a sulpuhur-iron filing mix before and after Dalton.



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