Mar Gimeno Lumbiarres

→  Work

____  Exhibitions

                OO (immersive experience)
                La Fotògrafa del Poble



____  Performance

               Calypso
               EgoINatura
               Family Tree ᛉ
               IAMAIR



____ Filmmaking 

               Filla del Foc   (TV Movie)
             QUATRE (Dàhlia Duran)
               Avant series (videoart)



____ Film Still

                    Plot Points  (Clara Pais & Daniel Fawcett)
                  In the Water

   


→ About 

Mar Gimeno Lumbiarres (1994) is a spanish-catalan multimedia artist, film director & experience designer based in Rotterdam (NL).

In recent years, she has specialized in XD and immersive narratives to create projects that attract diverse audiences, inviting them to research, reflect and trigger behavioural change through interactivity and storytelling. She has worked on projects for Mobile World Capital, NASA JPL and Boston Children's Hospital.

For-Mar, innovation involves staying connected to the roots. Heritage, anthropology, cognitive science, paganism and nature are always at the centre of her work.

Her themes swing between nature, life-death, universal memory, witchcraft and esotericism. She finds beauty in the grotesque and holds that darkness is the essence of light.


→ Vimeo

Explore other film  works.


→ Contact

marglumbiarres(@)gmail.com
(+34) 638 461 409  @hamaremar
+ marglumbiarres.com (company)


4. Loren Eiseley




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            From The Immense Journey, 1957A billion years have gone into the making of that eye; the water and the salt and the vapors of the sun have built it; things that squirmed in the tide silts have devised it. Light-year beyond light-year, deep beyond deep, the mind may rove by means of it, hanging above the bottomless and surveying impartially the state of matter in the white-dwarf suns.
        Yet whenever I see a frog’s eye low in the water warily ogling the shoreward landscape, I always think inconsequentially of those twiddling mechanical eyes that mankind manipulates nightly from a thousand observatories. Someday, with a telescopic lens an acre in extent, we are going to see something not to out liking, some looming shape outside there across the great pond of space.
        Whenever I catch a frog’s eye I am aware of this, but I do not find it depressing. I stand quite still and try hard not to move or lift a hand since it would only frighten him. And standing thus it finally comes to me that this is the most enormous extension of vision of which life is capable: the projection of itself into other lives. This is the lonely magnificent power of humanity. It is, far more than any spatial adventure, the supreme epitome of the reaching out. 



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