Mar Gimeno Lumbiarres

→  Work

____  Exhibitions

                OO (immersive experience)
                La Fotògrafa del Poble



____  Performance

               Calypso
               EgoINatura
               Family Tree ᛉ
               IAMAIR



____ Filmmaking 

               Filla del Foc   (TV Movie)
             QUATRE (Dàhlia Duran)
               Avant series (videoart)



____ Film Still

                    Plot Points  (Clara Pais & Daniel Fawcett)
                  In the Water

   


→ About 

Mar Gimeno Lumbiarres (1994) is a spanish-catalan multimedia artist, film director & experience designer based in Rotterdam (NL).

In recent years, she has specialized in XD and immersive narratives to create projects that attract diverse audiences, inviting them to research, reflect and trigger behavioural change through interactivity and storytelling. She has worked on projects for Mobile World Capital, NASA JPL and Boston Children's Hospital.

For-Mar, innovation involves staying connected to the roots. Heritage, anthropology, cognitive science, paganism and nature are always at the centre of her work.

As an artist, she delves in the world of performatic acts and visual installations, which she cross-processes using video, nature elements, her body, photography and sound. Her themes swing between nature, life-death, universal memory, witchcraft and esotericism. She finds beauty in the grotesque and holds that darkness is the essence of light.


→ Vimeo

Explore other film  works.


→ Contact

marglumbiarres(@)gmail.com
(+34) 638 461 409  @hamaremar
+ marglumbiarres.com (company)


8. Philip Ball




008a


               From The Quantum Origin of Time, BBC, 2016… we can regard retrocausality as a kind of fuzziness in the “crystallisation of the present” — Ellis has argued that the past is not always fully defined at any instant. It is like a block of ice that contains little blobs of water that have not yet crystallized. Even though the broad outline of events at a particular instant has been decided, some of the fine details remain fluid until a later time. Then, when this “fixing” of the details happens, it looks like they have retrospective consequences.



008b
008c