Mar Gimeno Lumbiarres

→  Work

____  Exhibitions

                OO (immersive experience)
                La Fotògrafa del Poble



____  Performance

               Calypso
               EgoINatura
               Family Tree ᛉ
               IAMAIR



____ Filmmaking 

               Filla del Foc   (TV Movie)
             QUATRE (Dàhlia Duran)
               Avant series (videoart)



____ Film Still

                    Plot Points  (Clara Pais & Daniel Fawcett)
                  In the Water

   


→ About 

Mar Gimeno Lumbiarres (1994) is a spanish-catalan multimedia artist, film director & experience designer based in Rotterdam (NL).

In recent years, she has specialized in XD and immersive narratives to create projects that attract diverse audiences, inviting them to research, reflect and trigger behavioural change through interactivity and storytelling. She has worked on projects for Mobile World Capital, NASA JPL and Boston Children's Hospital.

For-Mar, innovation involves staying connected to the roots. Heritage, anthropology, cognitive science, paganism and nature are always at the centre of her work.

As an artist, she delves in the world of performatic acts and visual installations, which she cross-processes using video, nature elements, her body, photography and sound. Her themes swing between nature, life-death, universal memory, witchcraft and esotericism. She finds beauty in the grotesque and holds that darkness is the essence of light.


→ Vimeo

Explore other film  works.


→ Contact

marglumbiarres(@)gmail.com
(+34) 638 461 409  @hamaremar
+ marglumbiarres.com (company)


7. John Ashbery




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From The Double Dream of Spring, 1970
All kinds of things exist, and, what is more, Specimens of these things, which do not make themselves known. / I am speaking of the laugh of the squire and the spur / Which are like a hole in the armor of the day. / It’s annoying and then it's so natural 

That we experience almost no feeling / Except a certain lightness which matches / The recent closed ambiance which is, besides, / Full of attentions for us. Thus, lightness and wealth. 

But the existence of all these things and especially / The amazing fullness of their number must be / For us a source of unforgettable questions: / Such as: whence does all this come? and again: / Shall I some day be a part of all this fullness? 

…Everything is a landscape




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